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there is also the bonus of an unreleased studio track in the form of 'lúppulagið', which is used both over the credits of the film and as the final non-live track on the album. The album features 15 tracks, with songs taken from all five sigur rós studio albums. this fundamental 'boiling down' makes 'inni' a more forceful and primal proposition, much at odds with the popular misconception of the band as purveyors of instant emotional heft for film-makers in need. Buy Ryuichi Sakamoto: Thousand Knives Of Ryuichi Sakamoto (Colored Vinyl) Vinyl LP - Turntable Lab Exclusive at, a Better Music Store. The performance captures the band playing as a stripped down four-piece for the first time since they were joined by string section amiina at the start of the decade. where 'heima' was widescreen and open, 'inni' is close and single focussed. whereas that film took a band about whom the world knew little, and placed them in the cultural, social and geographical context of their homeland, (with winning and humanising results) the new film strips away everything save the raw performance of the four musicians themselves.
#Ryuichi sakamoto vinyl movie#
in fact, it is both: a 75-minute film and 105-minute double live album of the band captured in full flow at the close of their last tour in november 2008, here housed within one single fat package.įilmed at alexandra palace over two nights by director vincent morisset (arcade fire's 'miroir noir'), the movie 'inni' could best be described as the anti-'heima'.
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'inni' is either the first-ever sigur rós live album, or second live film (and follow up to 2007's acclaimed iceland tour film heima). This film is an answer to those who question where the spirit of punk rock is today.īlood, Sweat & Vinyl: DIY in the 21st Century (Trailer) from kenneth thomas on Vimeo. They uphold the legacy of treating music as an art form, not as a product. These labels combine hard-to-define, heavy music with a visual aesthetic that has enraptured worldwide fans, without the need for radio or corporate media outlets. Zion Memorial Orchestra, Cave In, and many others whose music and art found ideal homes in the artist-run record labels of Hydra Head, Neurot, and Constellation. This captivating documentary is the product of five years of obsessive filming of live concert footage, exclusive interviews, and historic documentation focusing on three fiercely independent music labels and their bands.įeaturing Neurosis, ISIS, Godspeed You! Black Emperor, Pelican, Oxbow, Evangelista, Thee Silver Mt. Individual force that driven our music to some sort of journey andĮmotional landscape without the use of vocal. Skill hence digging their main roots in instrumental / experimental /Īs a band, they feel the need to explore our instruments more as an
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As times goesīy MLV has been rearangging music style and focussing on their instrument The 4 song EP was produced and distributed independently. In April 2007, Marché La Void released its first EP, entitled Cacophonia.
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Influences are more obvious than others, but all are influential Music, which they described as down-tempo, psychedelic, and ambient. Many great artists influence the band in writing their Since the day the band was founded, MLV has been writing and performing Next member to join the band, followed by Gerrid and Dave. Remastered from the original tapes by renowned producer and engineer Seigen Ono, the LP edition comes with original artwork including OBI strip and four-page insert with new introduction by Paul Bowler.Marché La Void (MLV), a band based in Jakarta, Indonesia, was started inĢ003 by 3 long-time friends: Irwan, Wahyu, and Suryaputra. Save for a small-scale release in 1982, this is the first time the album is being released on vinyl outside of Japan. Featuring Sakamoto on a wide range of synthesizers and keyboards programmed by Hideki Matsutake, and accompanied by a few musicians including Haruomi Hosono and Pecker, "Thousand Knives" was a blueprint for the YMO sound and includes cult classics that were to become live favourites. Sakamoto was a member of Yellow Magic Orchestra at the time but the group hadn't released their first album yet. Wewantsounds is proud to announce the release of Ryuichi Sakamoto's first solo album originally released in 1978 on the sought-after Better Days label. RYUICHI SAKAMOTO'S FIRST SOLO ALBUM FROM 1978 RELEASED ON THE BETTER DAYS LABEL AND FEATURING THE SYNTH CLASSICS "PLASTIC BAMBOO," "END OF ASIA" & "THOUSAND KNIVES" IS REISSUED OUTSIDE OF JAPAN FOR THE FIRST TIME IN DECADES.